Image by Christine Renney
A couple of nights ago Mark and I watched two of Pablo Larrain’s films both set in the 1970s at the time of the military coup and after in Chile. Both ‘Tony Manero’ (yep, Saturday Night Fever) and ‘Post Mortem’ are impressive interpretations on what it is to have no respect for human life. In Tony Manero there is a scene where the protaganist makes a dance floor which can be lit from beneath thus enabling him to be John Travolta/Tony Manero and this reminds me of that scene. If you haven’t seen them then do – brilliant works.